PUBLICATIONS & PRESS REVIEWS

An extraordinary artwork, created in an extraordinary period. Nocturne brings the time of the Pandemic in the Deep Space 8K.

Interview with artists on AE Blog “Nocturne 2021: the Pandemic on big screen” by Shirin Darwish, Ars Electronica Blog, Sep 1, 2021, https://ars.electronica.art/aeblog/en/2021/09/01/nocturne/

Conradi, I. (2021). Media Art Nexus at Nanyang Technological University Singapore. In M. de Waal, K. Willis, N. Verhoeff, M. de Lange & A. Aurigi, “Towards Media Architecture: Educating the Next Generation of Urban Interaction Designers Around the World,” Media Architecture Biennial Educational Publication (1st ed., pp. 37-39). Media Architecture Biennale & Urban Interaction Design Learning Community at Amsterdam University of Applied Science.
Retrieved from https://cdn.mab20.org/wp-content/uploads/sites/25/2021/06/Towards-Media-Architecture_publication_online.pdf.

Von Jungenfeld, R., & Conradi, I. (2020). Waves: Crosscurrents of Art, Technology and Environments In: H. Griffin (ed.), AMPS Proceedings Series 20.2. Connections: Exploring Heritage, Architecture, Cities, Art, Media ( pp. 13-24). Canterbury; University of Kent, UK. AMPS PROCEEDINGS SERIES 20.2 ISSN 2398-9467

Retrieved from https://architecturemps.com/proceedings/   
http://architecturemps.com/wp-content/uploads/2021/03/Amps-Proceedings-Series-20.2.pdf.

Lecture

https://www.academia.edu/50826391/Waves_Crosscurrents_of_Art_Technology_and_Environments
http://architecturemps.com/wp-content/uploads/2021/03/Amps-Proceedings-Series-20.2.pdf
Von Jungenfeld, R., & Conradi, I. (2020). Waves: Crosscurrents of Art, Technology and Environments. In Connections: Exploring Heritage, Architecture, Cities, Art, Media (pp. 00-00). University of Kent, Canterbury; AMPS (Architecture, Media, Politics, Society). 29.June.2020
Ars Electronica Web Site

Quantum Logos Mark Chavez (US), Ina Conradi (SG), Tate Chavez (US), Bianka Hofmann (DE), Bob Kastner (AU)

https://ars.electronica.art/outofthebox/en/quantum/

Quantum Travelers art-sci amazing piece & take away message: “The most common opinion is that quantum theory is incomprehensible and illogical. This should now come to an end!”

OriginPhysics Network. CERN’s social media twitter feed @OriginPhysics Network. 08. 09.2019. Quantum Logos Mention , The Science Communication Lab specializes in SciComm, visual communication and scientific visualization.

Quite cool projection by Quantum Travelers, Author: SCICOM LAB @sicomlab Germany, 08. 09.2019 Quantum Logos Mention. The Science Communication Lab specializes in SciComm, visual communication and scientific visualization research for the sciences and complex projects Link

https://twitter.com/scicomlab/status/1170380851651239936

The most popular pics of 2019 on Instagram Ars Electronica Blog. A.E. Blog, 31.12. 2019. Quantum Logos on the A.E. landing page for festival web site

“You understand nothing when it comes to quantum physics? Don’t worry, you’re not alone! The Quantum Travelers are using artistic means to get to the bottom of this difficult matter with their Deep Space project “Quantum Logos” at the Ars Electronica Festival.”
Quantum Logos – An artistic Approach to Quantum Physics Ars Electronica Blog I Sep 4, 2019 I by Magdalena Sick-Leitner I Reading time: about 6 minutes

Sourced from: https://ars.electronica.art/aeblog/en/2019/09/04/quantum-logos/

” Quantum physics still is a somehow familiar, but at the same time, completely abstract number of theories scientists have formulated to explain the laws that reign our universe at the subatomic level. We all know the words and what they describe, but what is it actually about, and why it’s becoming more and more popular? ” CLOT MAGAZINE ON QUANTUM LOGOS
 

https://www.clotmag.com/news/insight-a-dive-into-quantum-physics-with-quantum-travelers
INSIGHT: A DIVE INTO QUANTUM PHYSICS WITH QUANTUM TRAVELERS, 05.09.2019, CLOT Magazine: Digital Culture, News
Quantum Logos ( vision serpent) premier Deep Space 8K, 2019

“Just completed the four-day presentation of Quantum Logos (vision serpent) at Ars Electronica Deep Space 8k theater. It was quite a ride, with my colleagues in arms Ina ConradiBianka Hofmann, and Bob Kastner. Full of the requisite stress that comes with big efforts. Although I produced and animated all of the visuals myself, I received a much needed musical score from Tate Egon Chavez. Other consultation came from Rupert Ursin, deputy director at the Institute for Quantum Optics and Quantum Information (IQOQI) of the Austrian Academy of Sciences. I’m an artist/animator and not trained in Quantum Theory or cultural archetype and metaphor, though these are interesting subjects to study.” To continue

POST ARS ELECTRONICA REFLECTION: QUANTUM LOGOS
by Mark Chavez 
https://www.linkedin.com/pulse/post-ars-electronica-2019-reflection-mark-chavez/

NETWORKING EVENT: ENTANGLEMENT ONGOING ARS ELECTRONICA 2019. 8 September 2019 

“We need spaces to negotiate scientific developments to spark the conversation about how we use new technologies and create a society and a future according to our values. The Ars Electronica is such a space. Also, in Germany, a lot has been invested in the last 20 years in explaining science. Science communication has extended its mission: to make R&D understandable to the public, to interact with society’s stakeholders, to inspire young people to study a STEM discipline and to make the purpose of public funds transparent”

https://www.quantumtravelers.org/lectures

Title Campus Art Trail, Nanyang Technological Museum, 2018, Editors: Faith Teh Eng Eng, Ngauw Cui Qin. Publisher: NTU Art and Heritage Museum, NTU Singapore ISBN: 978-981-11-9041-4. Page: Cover Page, 99 – 101, Creative Works Mentioned: Internal External. Date: 2018

https://ebook.ntu.edu.sg/20191018-campus-art-trail/full-view.htm
https://ebook.ntu.edu.sg/20191018-campus-art-trail/full-view.html
SINGAPORE THE STRAITS TIMES , Tuesday October 9, 2018
Let’s go watch rainbow colors, Media Art Nexus
The Great Wall…of moving art by . Lo Tien Yin , NTU HEY! Magazine
http://www.hey.ntu.edu.sg/issue29/features_02.html#.XOI_XsgzZaR