Quantum Logos & Ars Electronica Festival, Out of the Box, Artist’s reflections
Mark Chavez on Quantum Logos (vision serpent) Premier Ars Electronica Festival 2019 Out of the Box. Deep Space 8K, Ars Electronica Center
Linz, Austria. 8 09.2019.
https://ars.electronica.art/outofthebox/en/quantum/
I just completed the four-day presentation of Quantum Logos (vision serpent) at Ars Electronica Deep Space 8k theater. It was quite a ride, with my colleagues in arms Ina Conradi, Bianka Hofmann, and Bob Kastner. Full of the requisite stress that comes with big efforts. Although I produced and animated all of the visuals myself, I received a much needed musical score from Tate Egon Chavez. Other consultation came from Rupert Ursin, deputy director at the Institute for Quantum Optics and Quantum Information (IQOQI) of the Austrian Academy of Sciences. I’m an artist/animator and not trained in Quantum Theory or cultural archetype and metaphor, though these are interesting subjects to study.
I started this project in earnest this past January, though my research on the topic started much earlier when I began reading books like James Maffie’s Aztec Philosophy: Understanding a World in Motion, and Alexus McLeod’s Philosophy of the Ancient Maya: Lords of Time. These books offer a great view of the metaphysical, epistemological, and ethical wisdom of the Mexica and Maya civilizations. Taking these ideas without expropriating direct cultural imagery as well as studying other great cultures and the essence of their creation myths and themes provided a rich template from which to derive design inspiration.
I didn’t exclusively use these designs themes, however. I studied the work of numerous quantum physicists of various subject fields. Only with the generosity of scientists who publish talks online could I possibly begin to understand, in a most minor way, the complexity of the subject. I attended talks at the UCLA ArtSci Center helmed by artist Professor Victoria Vesna and scientist Dr. James Gimzewski including talks by professors from the California NanoScience Institute, and other casual discussions on the subject with academics in the field. I also studiously reviewed lectures from the World Festival of Science and other sources on quantum physics, gravity, time and biology.
To get a better understanding of indigenous American ideas, aside from studying the books aforementioned, I began to study Nahuatl, a Uto-Aztecan language spoken by a subset of indigenous people of Mexico. This helped in understanding the nature and depth of the culture though from a contemporary view. In particular, it helped me understand the emotive pathos expressed in metaphor in their poetry and prose.
The project was comprised of a 10-minute real-time movie. Then after a 30-second pause with an introduction to the idea of becoming a source of energy in a quantum field the wall and floor transitioned into an interactive interlude. It is designed as a field of quantum energy with its rippling interactive reaction. Designed to resemble the depths of a sacred Mayan cenote, the audience could enter the quantum world and ripple the fields around them.
Everything was authored in Derivative Touchdesigner. The short is essentially comprised of 2D compositions though I have two 3D scenes, one comprised of 3D tree models, and another generated with GLSL shaders. I reworked numerous shaders, morphed and mixed them together, and animated parts of them based on the effect I was working for. Abstract animation is difficult to understand, using it to describe quantum physics proved a big challenge. I like to make images that remind the viewer of primal things (like water, fire desert, mountains, and trees), that way I can use their intuitive interpretation in the messaging of the various ideas and concepts I’m trying to express.
2019 Festival Recap: 5 days, 16 locations, 501 exhibits and 548 events, 1,449 artists and scientists, 475 cooperation partners and sponsors and 461 media representatives. Ars Electronica 3,256 projects from 82 countries were submitted.
This research is ongoing and I am excited about further developing the work. This work is mentioned on the Austrian Academy of Sciences website: https://www.iqoqi-vienna.at/news-events/events/news-detail/article/scientists-and-artists-co-create-visual-and-sonic-narratives-to-communicate-quantum-technology/
Press links about premier at the Ars Electronica Festival
” Quantum Travelers art-sci amazing piece & take away message: the most common opinion is that quantum theory is incomprehensible and illogical. This should now come to an end!”
OriginPhysics Network. CERN’s social media Twitter feed @OriginPhysics Network. 08. 09.2019
Quantum Logos – An Artistic Approach to Quantum Physics. Magdalena Sick-Leitner, Ars Electronica Blog. 04.09.2019
https://ars.electronica.art/aeblog/en/2019/09/04/quantum-logos/
Quite cool projection by Quantum Travelers, Author: SCICOM LAB @sicomlab Germany, 08. 09.2019 The Science Communication Lab specializes in SciComm, visual communication and scientific visualization research for the sciences and complex projects. Link to Video:
https://twitter.com/i/status/1170380851651239936
The most popular pics of 2019 on Instagram Ars Electronica Blog. A.E. Blog, 31.12. 2019. Quantum Logos on the A.E. landing page for festival web site.
https://ars.electronica.art/news/en/
Scientists and artists co-create visual and sonic narratives to communicate Quantum Technology. Author: Austrian Academy of Science IQOQI – Institute for Quantum Optics and Quantum Information Vienna. 09.09.2019.Quantum Logos.
Insight: a dive into Quantum Physics with Quantum Travelers. CLOT MAGAZINE: Digital Culture,
https://www.clotmag.com/news/insight-a-dive-into-quantum-physics-with-quantum-travelers
News.05.09.2019.
CLOT Magazine is an online publishing platform dedicated to art and science explorations. We aim to collect, display, broadcast and promote the crossover of Art, Science and Technology.
The premiere of the “Quantum Logos” artwork at Ars Electronica Festival 2019 in Linz Austria. Bianka Hofmann. Medium. 23.08.2019. Link
https://medium.com/@jadeshiro/premiere-of-the-quantum-logos-artwork-at-ars-electronica-festival-2019-in-linz-austria-3aa3f870401b
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[…] first case study explored Quantum ideas with Mexican ethnic cultural tropes. We recently completed Quantum LOGOS (vision serpent) and Nocturne and wanted to take a respite from complex technical animation techniques to […]